So just wait for the chart and those questions will be answered because I refuse to answer a who is better question right now. Her main issues lie in her inconsistency with her resonance and not always maintaining a very forward and open sound in her mix and head voice. I thought head voice would be so high. Ive heard at least some support from Seunghee. Does accidental mean a sudden sharp/flat note out of the scale then the key turn back to normal? Finally Wendys here. Also, thank you Pandayeu and Ahmin for answering our questions about Wendy even before her analysis came out ^^. I love Wendy soo much! Oh really? Lower register: Wendys lower register is fairly well trained and connected to the rest of her voice. Is it the song choice, or the technique? I wanted you to give me an opinion about the vocal twice, since at the moment there are many comments that say they are heavy and want to know how true this is. Her main issues lie in her inconsistency with her resonance and not always maintaining a very forward and open sound in her mix and head voice. Tight D5s with some support behind them but the rest was fine. Although her C5 is considerably more open and supported than Tiffanys it is still lacking in resonance due to the placement not being optimal. Here's your free 7-min vocal workout to prove you can improve your voice fast: https://www.joinsingr.com/youtube With that link you'll get access to 50%-off all my lessons & vocal workouts. She has a really pretty voice though, shes a pretty girl but nobody should be singing Problem. Uhm Ahmin/pandayeu i have a question. Wendy is capable of supporting her head voice up to A5/Bb5 with resonance and is capable of bringing her head voice up to G#6/A6. Thank you in advance! Seems like she really loves RnB. Don't let the sweet pigtails and innocent smile fool you. 2:13 oh so phrased A4s can be done somewhat well, 2:22 A4 to Bb4mhmm so again 2:31 B4s mhmm yeah youre right this is the best Ive heard of her, but she still isnt consistent with supporting A4s, she sounds somewhat throaty when sustaining A4s and she has issues with her overall connection, but she has some sense of support, she can sing with a relaxed tone. TWICE: 3Mix are underappreciated, they are actually pretty decent. I mean sound close to the studio version isnt exactly a compliment cause if a vocalist has a wobbly vibrato and weak support like Joy in studio, and she does the same live with decent pitch, thats hardly an achievement. She also has a very solid and full sound in the chest voice with very minimal airiness. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Enter your email address to follow this blog and receive notifications of new posts by email. Shes just not as opened or round. 3:23 definitely tense that C5, pushed. Do you think shes improved pretty considerably? Wendys mixed register above D5 becomes very strained a tense due to a more chesty style of mixing. and our This was a good read! Another example of Wendys inconsistency with her resonance within her supported range would be her C5 in her performance of Dear Mom with Tiffany. The performance you linked was, quite frankly, very vocally uninteresting lol. So if her resonance in her mix were as consistent as her support, would she be ranked higher? Theres unfortunately no change to their technique. I dont have the video right in front of me but from I remember the runs werent as good as you are making them out to be. I hope wendy and seulgi will improve more!!! Because Wendy is able to support her voice moderately low she is fairly comfortable with phrasing in her lower register and is still able to maintain tonality most notably in Be Natural. Wendy easily phrases her way down to an Eb3 without any major lack of tonality just a slight fry quality for style. 2:58 B4 in her mix to a D5 in head voice, not the cleanest transition imo but couldve been worse Wendy has shown she is capable of doing complex runs for example her runs in Halo by Beyonce as well as the Red Velvet song Red Dress from The Red album. Hi there ^_^ I wanna ask what the first note Wendy sings here is (the airy one): https://youtu.be/xDMLANstgGI?t=30s All she needs is rest. Thank you . I think its only because some have insisted in the past that its Seulgi since shes more stable (when theyre dancing), wow youre back and post an analysis of wendy, that is great. But really some people are belters and some are runners, similarly to how some people are good at long distance running and others at sprinting. I cant wait to witness Wendys growth as a singer through proper practice, experience and age. This isnt exactly news to me, it kind of seems like the same patterns Ive heard from other performances of hers. Thanks for the reply! Just because she hasnt sung the notes in between G#6 and Eb7 doesnt mean she cant. is there any support? She signaled that she lets her voice out from her diaphragm and make a sound from a low tone rate. Thanks! So her lower and mix are almost on par or slightly worse than Wendy, and of course Wendys upper register is FAR better. She needs training. Wendy also shows off her ease in her lower register with Red Velvets performance Wish Tree. During this performance Wendy phrases many notes in the middle to higher part of her lower register with good support and tonality with ease. The fact that she can still reach and sustain those notes is a testament to her natural ability in that range, though. Before becoming a trainee under SM Entertainment, Wendy was a finalist at Koreaboo X Cube Entertainment Global Auditions in 2010. Mixed register: Her mixed register has a very well supported sound up to C#5/D5. TAEYEON vs. WENDY | Vocal Analysis Ain't No Other Fan 46.3K subscribers Subscribe 72K views 9 months ago #RedVelvet #TAEYEON #WENDY English subtitles available! 1:44 Seulgi comes back again too nasal, she really projects her voice through her nose a bit too much. Im sorry but Im not really sure, I think she could be in between if that were the case. Anyway, thankyou very much for answering mine, and im sorry again! What soprano? Resonance isnt solely placement because she has good placement. For more information, please see our Didnt know that. Wendy The Kpop Vocal Goddesses must've showered her a little extra love because Wendy is no joke. She also tends to lower her larynx as she descends, even within her supported range (as shown in Because I Loved You). Theyre good but they also need people to acknowledge them. Upper register: Wendys head voice has proven to be her most developed register. 2:44 mixed strained F#5 yes. When supported, the voice is freer and more relaxed than when there is a lot of pushing, tension, and strain present. I just feel as though her voice isnt asclear? Now, as the main vocalist of Red Velvet Wendy is known for her rich, soulful voice and R&B style. I was wondering how Wendy/Seulgi (and maybe Joy although I know that she doesnt have good technique) did in this performance? Hyemi and Yezi are both weak to average, Yezi may be average but she doesnt get enough vocal highlights to be sure. Wendy already gave us numerous show-stopping performances in which she has showcased her flawless vocals. I will only be focusing on the members which I view to be worth analysing, you can assume that the ones I do not mention are poorer than the ones I have covered. Wendy has a style of singing that is heavily based in the R&B/Soul genre which is very much known for its complex and extravagant melismas, therefore, naturally, Wendy developed her ability to do runs. Shes at most a lower average vocalist or weak to average. does it mean she has not able to sing notes in between? Just curious how was wendy sang this song. What do you think about it? The vocal training video of Yuju covering Diva Project Mermaid has a really good showcasing of her agility in the middle jazzy part from 1:45 onwards. As the original poster indicated, it is a bit concerning to fans as well. Wendy has a very extensive head voice being able to take the register all the way up to G6 and also is able to use a whistle register up to Eb7. Wendys style is heavily set in R&B, before her debut Wendy released many covers of her covering songs with a more R&B flare. I think Wendy>>>>>>>>All. If Wendys resonance is as consistent and as big as Taeyeon, would she be ranked as Good or just P to G? 1:37 D5 in head voice Its not an easy song, no. I just really like the sound of that certain note. Wendy has shown she is capable of doing complex runs for example her runs in Halo by Beyonce as well as the Red Velvet song Red Dress from The Red album. Her main issues lie in her inconsistency with her resonance and not always maintaining a very forward and open sound in her mix and head voice. ITZY: Lia is not as bad as people say she is but shes not great, overall the group needs a lot of work too. Before debut Wendy seemed to be more of an Above Above vocalist. 0:58? Can you analyze this performance of redvelvet. 2:00 she switched from a mixed C#5 to a head voice one, which wasnt bad. Although Wendy has very strong support and great connection to her support, she doesnt resonate often and is normally just supported with an open throat. I have sort of answered this question many times so I am not answering it again sorry, youll either have to look it up or just wait for the chart that is going to becoming out. suga-nim is obviously a hater of wendy lol. Ah I guess I didnt pay that much attention on the time stamp x.x She peaked at F#5 and sustained C#5, right? 2:16/17 Head voice, right? Is Wendys head voice close to (as in nearly as good as) Sohyangs? I dare say she doesn't eat CDs any more as her live performances now surpass her recorded performances by a huge margin. What do you think? And,did she support to do highest note on this performance? I imagine its been stagnant but I have to ask, since it sounds like thats her biggest drawback from being rated higher. Truthfully everyone in the Proficient rating have evened out developed registers, because really..only thing different between her and JiMin is D5 and JiMin has better produced head voice and maybe a better lower register. It wasnt a decline, but simply an off day. I waiting for their debut a long time and Im so happy to see them get the first sucess I think he meant mixed voice as well cause when Wendy said it, she used a mix instead of head voice. MA Vocalists: Melismatic/Agile Vocalists, 0. Despite being able to pull off fairly consistently she does have some off moments for example her runs in Shake That Brass.. It was well placed, but its cut off and too quick for me to be sure. 0. Jei sounded really nasal and thin, but not that airy or weak in support. I cant find out coz I lost my phone. In many Red Velvet songs Wendys head voice is at times a very staple feature for example Red Dress, Something Kind Of Crazy, Candy and many more. I was wondering if you guys have seen this, I know Mr removed videos cant really be trusted but it seems live or at least not a pre recorded non studio version, how do you think red velvet did because to me it sounds pretty close to the studio version. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Especifically for Joy, Seulgi and Wendy parts kamsahamnida! She was singing while using a growling sound in her head voice. Even, I do not hear her voice in chorus like red flavor, and many more. The lowest note was G3 for the second video, on both time stamps and on the first video the lowest was F3. 2:10 Wendy is back and you can hear how her tone project much better than the other two, with a much more opened and true sound to her mix. They are not shrill, but they could be more opened. Oh and theres was a comment asking the note on Wendys love and war notes that the upper user replied to too but it came as a comment like mine. Overall Wendys head voice is fairly well developed really only have issues with maintain an open sound and supporting above Bb5, however in pop music Bb5 is more than enough. Her support isnt very strong, so she sounds like she is relying much too heavily in her throat when singing. Wendys head voice is generally well produced and these are two examples of what we usually hear from her. Just thinkin how did wendy&seulgi sang this performance.https://youtu.be/88VRss2U4Lk can you analyze this performance. LOONA: A lot of vocalists who could be quite decent (Chuu, Haseul, Heejin) but currently they lack a standout vocalist (technically that is). Especially the ballad when this rain stops? Did she go flat there? Thank you so much, But, would she rate higher if she is more consistent in resonance and her headvoice hasnt decline ? 1:16 Hyemi has issues with Bb4s for sure, not a good sign. Wendys lower register is definitely a great assest to her and uses it =efficiently and with style. Thanks! Though Im so proud of her, but I think she is overrated. We are talking about her solo song right? There has been a lot of talk about her losing too much weight. Even if you dont see them I definitely have 3 eggs because the only way I can have 5 eggs is if I have 3 eggs as well. The only thing is that her upper register feels airier but thats prolly cause its a small room packed with people so its only appropiate to sound softer. I honestly dont think she would actually move up a rating if she were to improve her consistency with resonance because then she would just become Jimin and Jimin is proficient as well. Oh my God some glitch caused my comment to appear twice, sorry for that. IZ*ONE: Strongest vocalists from the 4th gen groups I am familiar with (Yuri being the best 4th gen vocalist along with Monday). Very subtle melismas, nothing too fancy but they were all accurate. Because Wendy is able to support her voice moderately low she is fairly comfortable with phrasing in her lower register and is still able to maintain tonality most notably in Be Natural. Wendy easily phrases her way down to an Eb3 without any major lack of tonality just a slight fry quality for style. Wendy (Red Velvet) - Vocal analysis: Vocal type: Soprano Supported range: F#3/G3-D5-A5 Low register: One of the most developed low registers among kpop sopranos. Was just wondering if you could tell me how seulgi and Wendy did in this performance? I was always curious about this cover because even though she did great, I felt like she kinda squeezed her throat or something. The blonde girl doesnt have as round of tone production as the other girl. Yes thats what it means, its a note off key that may match a chord thats different from the songs original diatonic key. I was just curious if her technique was as healthy then as it is now and and if there was anything that she was doing differently I mean lets be real, Ariana shouldnt sing this song because shes straining all of it, so why should anybody else yknow? Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Shallow support refers to when there is a freer sound but there is not very strong involvement from the diaphragm but you can generally tell that the vocalist is making an effort to engage it. Resonance occurs when you sing with an opened throat and use rounder vowels, it creates a full sound and is the OPTIMAL sound a vocalist can achieve. Wendy is capable of supporting her voice as low as F#3 and is able to maintain a considerate amount of tone down to Eb3/E3. Mamamoos strong suit is that as a vocal group, they have well-rounded members. If that was a head voice so that means things bellow are also head voice? Just one more question, what note(s) does Wendy sing at 1:54? Also, Wendy can connect her head voice even up to G6, even though after B5 it gets shrill and she lacks resonance on it.Tier: Proficient, Made by SimonHis youtube channel: https://www.youtube.com/c/FeelsLikeHeavenFeelsLikeHellRed Velvet vocal ranking: https://www.youtube.com/watch?v=Ns2fPMUSduE. 2:48 maybe some tension on Wendys D5 but good harmonies as a trio. Another example of Wendys inconsistency with her resonance within her supported range would be her C5 in her performance of Dear Mom with Tiffany. I personally enjoy her voice and listening to her sing genuinely makes me happy. She tends to also place her sound in her nose. and here. Wendy D. LeBorgne, PhD, CCC-SLP, is a voice pathologist, a singing voice specialist, and director of the Blaine Block Institute for Voice Analysis and Rehabilitation and The Professional. About 2 years and she kind of jumping up to Proficient now. Ai muito obrigado pelos elogios! Lately, Her voice sounds discordant a bit like that video. Despite being able to pull off fairly consistently she does have some off moments for example her runs in Shake That Brass.. Above A4 she tends to start becoming quite tense., I dont know why but I know this song lol anyway mhmm shes not yelling but she also has no sense of support. 2:08 again with the sloppy runs. Thanks! And is that supported at all? Thank you :)) I know Wendy always mentions in interviews that she has stage fright and is always disappointed that she cant showcase what she practiced. I think its so wonderful that there are still people willing to spread information for free. Change). My question is, how are Irenes, Yeris, and Joys singing technique? And shes the strongest vocalist among female idol that debut on 2014, right?? Someone asked about this back when it came out on the about and our criteria page but with a different link: 0:15 Wendys first note sounds like its either a light mixed voice, or a head voice. Wendy did well too, but her sound wasnt full, I dont hear full open resonance from her. Actually the average range a vocalist has is about 3 octaves, including their head voice. Her main issues lie in her inconsistency with her resonance and not always maintaining a very forward and open sound in her mix and head voice. People always compare Red Vevlets vocal with Black Pinks & Twices vocal. Did she improved? Hello friends a quick question in the support video that ahmin posted it said you have to let go all the tension to support right but how Wendy can have strong sense of support if she sing with a lot of tension sorry if the question sounds stupid. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. 4:11 is a B4 down to a Bb4, its not a particularly opened sound but shes singing softly so it can be excused as stylistic choices for interpretation. She had a bit of lack of support and projection on her Gb3s, 4:05 strained Eb5. In her chest voice Wendy has a very strong connection to her support system this allows her legato to be very smooth and connected throughout phrases. Physiologically speaking (take Kyuhyun as an example) if you had a wider vocal range than me, say we had the same voice type but ur top note was a D5 and my top note was a C5, would you have an easier time hitting like a B4 than I would. I mean Yuju had belted a resonant F5 around that time so who wouldnt think that way lol?, The C6 she sang pre-debut was supported ! Her technique is only average. SHINees Key can mix even C#5, I can barely get A4 out in a song. Its just the resonance thats the main problem. Oh sorry I forgot to answer about runs. Shes a little whiny indeed and thats directly related to the way shes shaping the vowel. Are they good as fans think they are or do they need a lot of improvement. Twices sub-vocalists are just as underdeveloped as every sub-vocalist of every idol group, whereas their main vocalists are sufficiently skilled. Whos better technically in this song Delta Goodrem, the voice Australia coach or Wendy? No tem nada de especial nessa performance. She was just a bit flat, she just didnt prepare herself well for the notes. I think she has the correct rhythmic bounce and is capable of doing quite speedy runs, unfortunately dont see much of this in typical Gfriend songs where she just high notes. I hope in the future she gains more confidence and can really grow as a singer! Ill be back later to leave a proper comment. Its good; shes definitely a bit nervous but overall its okay. Wendy has a style of singing that is heavily based in the R&B/Soul genre which is very much known for its complex and extravagant melismas, therefore, naturally, Wendy developed her ability to do runs. To add on to my previous comment (sorry to split it into 2, I had to go do smth so I couldnt add this before lol), in Red Velvets Future OST (released oct 2020), Wendy shows she has the same control over her lower register and mix as she always has. She wasnt singing with as good of an equipment so the quality isnt as clear but she sounds fairly similar. i was wondering if wendy was nasal in this video (which is a really popular video and im really sorry for asking this). Are not shrill, but they also need people to acknowledge them like kinda! Too, but i think Wendy > > > > > > > >. Isnt very strong, so she sounds like thats her biggest drawback being... On the first video the lowest was F3 their main vocalists are sufficiently skilled sounds like thats biggest... Very strong, so she sounds fairly similar again too nasal, she projects... Good support and projection on her Gb3s, 4:05 strained Eb5 now, as the main of! 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